Sticky Notes: Aurora Rising
Aurora Rising (496 pages) kind of checks all the boxes for me. It lives squarely in that Young Adult science fiction lane, but it brings big energy, sharp banter, high stakes, and a strong found-family core. Published in 2019, it was an instant New York Times Bestseller, pulled in multiple starred reviews, and was shortlisted for the Aurealis Awards, which celebrate Australian speculative fiction.
But honestly? The bigger signal for me was how often I’ve seen this book pop up in classrooms and library displays. It has that “modern YA staple” vibe, and that’s part of what made me want to finally read it.
First, a Quick, Spoiler-Free Summary
Set in the year 2380, the story opens with Tyler Jones, a top graduate of the Aurora Academy, pulling off a daring rescue mission that lands him the girl, literally. Aurora Jie-Lin O’Malley (Auri) has been cryogenically frozen for two centuries and wakes up into a world she doesn’t recognize.
Because Tyler misses his squad draft, he ends up with what the Academy considers the “bottom of the barrel” team: a sarcastic diplomat, a temperamental warrior, a brilliant but socially awkward engineer, and a mysterious assassin with a moral code that’s…flexible.
What unfolds is a fast-paced, high-stakes space adventure layered with shifting alliances, ancient alien tech, corporate corruption, and a found-family dynamic that really drives the emotional core of the book. It’s sci-fi, yes, but it’s also part spy thriller, part heist story, part character study.
Why I Picked This One
I’m a big fan of speculative sci-fi. I love imaginative technology and world-building, and this book is chock full of it, from the Fold (faster-than-light travel) to the snarky AI energy running through the tech systems.
And like I said, I have also seen this book floating around classrooms and library displays for years. It felt like one of those YA staples I needed to experience firsthand.
Teaching & Content Considerations
One of the most interesting structural choices is the first-person perspective switching. Each chapter rotates narrators, and it works. It deepens characterization and lets readers see how the same moment feels radically different depending on who’s telling it. That alone makes it a great mentor text for voice study.
The conflict work here is rich:
- Character vs. Self: Auri’s identity crisis is front and center. She’s grieving a lost world while being told she might be the key to saving this one. Tyler wrestles with leadership versus ego. Scar grapples with anger and loyalty. There’s a lot of internal tension to unpack.
- Character vs. Character: The team dynamic is full of friction. Distrust, clashing personalities, cultural differences, and buried secrets drive much of the story forward. It’s a great opportunity to map how interpersonal conflict escalates and resolves (or doesn’t).
- Character vs. System: Corporate corruption, militarized institutions, and shadow power structures loom large. This opens the door to conversations about systemic control, propaganda, and who benefits from maintaining the status quo.
- Character vs. Technology/Nature: Advanced alien tech and space itself pose existential threats. There’s a subtle thread here about humanity’s relationship to innovation—when does progress become dangerous?
I also feel like there is a great opportunity for a fun writing assignment: Would you join the Hadfield crew for a trip to Octavia III with Aurora? Write a persuasive argument for or against. The world-building provides tons of evidence to pull from.
Content-wise, there’s violence and mature themes (war, trauma, systemic power), so I’d suggest this for grades 9–12.
Book Talk Read-Aloud Moments
P. 18: Auri waking up. The stream-of-consciousness opening—“I’m made of concrete…” is such a visceral, disorienting entry point. It’s a fantastic example of sensory writing.
P. 278: The scene where agents approach Cat. High tension, layered motivations, and shifting loyalties. Great for modeling suspense.
Final Thoughts
This was just a blast to read. Sharp dialogue. Complex characters. Momentum that doesn’t let up. I especially appreciated the female protagonists (Auri, Scar, Zila) who are layered, capable, and complicated in ways that feel earned.
I’ll absolutely be checking out the next book in the series.
Groan! I agonized over the list and all the revisions but one look at your Blog list and I am envious! I Adore Sci-Fi and it seems like Aurora would have been a slam dunk for me as well. I especially resonated with your description of the classic conflicts: when I learned about them in film school they were listed as : Man Vs Man, Man Vs Himself, Man Vs Nature, and Man Vs Machine. I will be curious to hear about how these went over with the class. Additionally, I love how you highlighted the female characters and how their depiction feels earned; an all too often overlooked aspect of the genre.
ReplyDeleteI really enjoyed how thoughtful and thorough you were with your teaching considerations. Your analysis of various types of conflicts will make for rich discussion and writing!
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